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LOS ANGELES, CA, Mar 27, 2012 (MARKETWIRE via COMTEX) –
Seven Arts Entertainment Inc.

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-3.00%



(“Seven Arts” or
“Company”) announced today that it has signed a distribution
agreement for its subsidiary, Seven Arts Music Inc., with Fontana
Distribution (“Fontana”), a leading independent record distributor,
for the United States and Canada. Fontana was recently acquired by
INgrooves, a privately held digital distribution company that is
partially owned by the Universal Music Group, combining best-in-class
digital and physical distribution to empower the independent music
community. For more on Fontana, see
www.fontanadistribution.com .

Seven Arts Music has signed a multi-year recording agreement with the
multi-platinum recording artist Bone Thugs-N-Harmony (“BTH”). BTH’s
first single and album for Seven Arts Music will be distributed by
Fontana, and is expected to be released in September, 2012. Bone
Thugs-N-Harmony is an American hip hop group from the Glenville
section of Cleveland, Ohio. They are best known for their fast-paced,
aggressive rapping style and harmonizing vocals. BTH has been mainly
produced by Los Angeles producer, DJ U-Neek. In 1997, BTH was awarded
the Grammy for Best Rap Performance with their song “Tha Crossroads”
from their E 1999 Eternal album. Since its inception in 1993, BTH has
been honored with numerous other awards. BTH also collaborated with
Eazy-E, 2Pac, Big Pun, and The Notorious B.I.G.

Seven Arts Entertainment CEO Peter Hoffman said: “We are very excited
about moving forward with Fontana as our distributor for Seven Arts
Music, including the new album and single of Bone Thugs-N-Harmony.
Fontana and its parent INgrooves are the leading independent
distributors of sound recordings in the United States, and our
artists will be in exceptionally good hands.”

Seven Arts Music CEO David Michery stated: “Bone Thugs-N-Harmony is
one of the great original hip hop artists. BTH has six multi-platinum
albums with more than 13 million album sales in the United States and
Canada. RIAA certified sales of more than 1 million copies of BTH’s
last album, ‘Strength and Loyalty,’ in 2007 in the United States and
Canada. BTH will be recorded with producer DJ U-Neek, its original
producer, and we expect magic from this great group of artists.”

About Seven Arts Music:
Seven Arts Music intends to develop new
talent and label-establishing artists in the genres of hip hop, R&B,
pop, dance and rock. David Michery’s prominent career includes the
production of numerous platinum albums and an executive role as Head
of Urban Music for All American Communication, d/b/a Scotti Bros.
Records, A&R for MCA Records and Zoo/BMG, and founder of Breakaway
Entertainment and American Music Corporation.

About Seven Arts Entertainment Inc.:
Seven Arts Entertainment, Inc.
is the successor to Seven Arts Pictures Plc, which was founded in
2002 as an independent motion picture production and distribution
company engaged in the development, acquisition, financing,
production, and licensing of theatrical motion pictures for
exhibition in domestic (i.e., the United States and Canada) and
foreign theatrical markets, and for subsequent worldwide release in
other forms of media, including home video and pay and free
television.

Cautionary Information Regarding Forward-Looking Statements

Forward-looking statements contained in this press release are made
under the Safe Harbor Provision of the Private Securities Litigation
Reform Act of 1995. Any such statements are subject to risks and
uncertainties that could cause actual results to differ materially
from the anticipated.

Contact:
Seven Arts Entertainment Inc.
Peter Hoffman
323-273-3080
phoffman@7artspictures.com

SOURCE: Seven Arts Entertainment Inc.

mailto:phoffman@7artspictures.com

Copyright 2012 Marketwire, Inc., All rights reserved.

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Brainerd Dispatch/Steve Kohls Brock Larson (right) works out with Jake Seely at the Warriors Alliance mixed martial arts facility in the Northern Pacific Center in Brainerd.

Exhibits at TheaterWorks and Capital Community College showcase art from prison.

Hartford, Conn. (PRWEB) March 27, 2012

Community Partners in Action>Community Partners in Action (CPA), a nonprofit organization committed to building community by providing services that promote accountability, dignity and restoration for people affected by the criminal justice system, is pleased to announce the opening of the Prison Arts Program’s 34th Annual Show. This exhibition provides inmates with a constructive and valuable opportunity while incarcerated in Connecticut’s prisons.

Opening at TheaterWorks and Capital Community College on March 23rd and April 3rd, respectively, the Prison Arts Program Annual Show will feature more than 300 original artworks from over 100 artists.

“Inmates work all year towards this exhibition,” said Jeff Greene, Prison Arts Program Manager, Community Partners in Action. “The Annual Show has come to have a unique and important role in the lives of the inmate, their families, prison staff and their families, the arts community and the community as a whole. It is an extraordinary show!

CPA’s Prison Arts Program promotes accountability, empathy, self-examination and self-esteem through arts classes, exhibitions and publications. The program is offered in all of Connecticut’s correctional facilities and helps inmates develop a work ethic and interpersonal and communication skills that can help in reestablishing themselves in the community after incarceration.

“The Prison Arts Program plays a critical role in helping inmates to develop skills for constructive self-expression,” said Maureen Price-Boreland, Executive Director, Community Partners in Action. “The Annual Show is a wonderful culmination of the inmates work and we look forward to bringing their voices into the community through art.”

TheaterWorks, 233 Pearl Street in Hartford, will host the women’s portion of this year’s Annual Show from March 23-May 21 in collaboration with the Judy Dworin Performance Project. The men’s portion of the Annual Show will be showcased at Capital Community College, 950 Main Street in Hartford, from April 3-April 27. Receptions will be held on Saturday, April 14th from 1-3pm for the men’s show and 4-7:30pm for the women’s show. For more information, visit http://www.cpa-ct.org. On April 5th, a special performance of ‘RED’ will take place at TheaterWorks with proceeds benefitting both Community Partners in Action’s Prison Arts Program and the Judy Dworin Performance Project. To purchase tickets, email nsanchez(at)cpa-ct(dot)org.

About Community Partners in Action

Established in 1875, Community Partners in Action (CPA) is a nonprofit organization committed to building community by providing services that promote accountability, dignity and restoration for people affected by the criminal justice system. For more than 135 years, CPA has offered a wide range of programs for adolescents and adults, helping clients to develop transferrable skills and work towards a successful re-entry into society. To learn more about Community Partners in Action, visit http://www.cpa-ct.org.

For the original version on PRWeb visit: http://www.prweb.com/releases/prweb2012/3/prweb9338422.htm

In an effort to ensure that the arts get some consideration among issues to be debated in the weeks leading up to the Alberta provincial election, the group ArtsVote Calgary is inviting the candidates to take part in a forum to be held Friday at noon at the central branch of the Calgary Public Library.

While no candidates had confirmed participation at press time it is expected representatives from such art groups as Theatre Calgary, One Yellow Rabbit and Alberta Ballet will be in attendance to question party leaders, or their delegates, about cultural plans and policies.

Among the issues on the table, says Ashley Humphreys of ArtsVote Calgary, are the shortage of arts venues in the city, as well as arts funding.

Arts companies cant operate knowing their funding is going to be changed year to year, Humphreys says. Its got to be more consistent . . . with standardized funding practices.

Other topics to be discussed in the forum, which will be moderated by radio personality Russell Bowers, host of CBCs Daybreak Alberta, include how corporations are being encouraged to support the arts and how arts development can be used to revitalize areas of the city, such as the East Village.

ArtsVote Calgary formed in 2010 during the municipal election, which saw decidedly pro-arts candidate Naheed Nenshi become mayor. The group was inspired by other ArtsVote chapters throughout Canada.

Its key objective, Humphreys says, is to keep voters informed on the candidates respective positions on the arts, in the hopes that people will vote for whoever is most supportive of arts and culture.

The group, which claims to be non-partisan, also tries to influence politicians as to the importance of the arts.

Politicians talk about creating a vibrant province that people want to move to that encourages quality of life, Humphreys says. Arts and culture is connected to all of those things, so its not a party issue.

Mount Royal University political analyst David Taras has his doubts that the candidates, now hot on the campaign trail, will attend the arts forum, but, he adds: unless somebodys fumbling the football the parties will likely have some representation at the ArtsVote Calgary event.

I would be shocked if they turned their back and blew it off, Taras says.

The arts community is very important. It tends to be people who are young, dynamic, attentive, smart and likely to vote. And its also Calgary the cultural capital time, right?

You treat the arts community with a lot of respect.

hmccoy@calgaryherald.com Twitter@VanHeathen

This year?s Summer of the Arts lineup mixes new features with old favorites for one exciting summer.

?I?m pretty excited about the lineups this year,? executive director Lisa Barnes said.

Barnes and volunteer organizers of each of the summer?s main events ? the Friday Night Concert Series, Iowa Arts Festival, Iowa City Jazz Festival, Sand in the City, Free Movie Series and the Saturday Night Concert Series (previously Downtown Saturday Night) ? presented their respective lineups at a news conference Tuesday at the Sheraton Hotel.

The City High and West High jazz ensembles once again kick off the Friday Night Concert Series with a performance May 18 sponsored by Oaknoll Retirement Community.

Other performers in the series include David Zollo The Body Electric May 25, Tallgrass and Tasty Trigger July 20 and The Fez July 27.

The Iowa Arts Festival and Iowa City Jazz Festival take place June 1 to June 3 and June 29 to July 1, respectively. Headliners for the Iowa Arts Festival include Greg Brown, family and friends June 1 and Los Lobos June 2; the Jazz Festival welcomes the Robert Glasper Experiment June 30 and Mumbo Jumbo — a tribute to Paul Motian July 1 as its biggest acts.

In addition to the entertainment lineups, organizers are looking forward to SOTA?s new initiatives, including an ?Emerging Artist Pavilion? at the Iowa Arts Festival featuring up-and-coming Iowa college artists, mini sand-sculpting competitions at Sand in the City, a new inflatable screen for the Free Movie Series and continued green efforts, such as new ECO stations purchased with a grant from the Solid Waste Alternative Program that are ?easier to manage and very visible at our weekend festivals,? Barnes said.

Barnes said she is particularly excited about SOTA?s new mobile app for the iPad, Android and iPhone that includes complete schedules, maps, performer bios and sound clips. The app is slated for release before the Iowa Arts Festival, she said.

SOTA board president Dennis Green said though ?every year is new and special,? three events in particular stand out to him this year: Pieta and Greg Brown, Joy Kills Sorrow and Los Lobos at the Iowa Arts Festival; bringing Friday and Saturday night entertainment together as a single series; and after-hours jam sessions at The Mill at the Iowa City Jazz Festival.

?SOTA is presenting a fun and diverse lineup, with exciting entertainment pretty much every weekend of the summer,? he said. ?If it?s fun and happening between graduation and the first home football game, chances are it?s a SOTA event.?

Summer of the Arts lineups

Friday Night Concert Series

May 18: City High and West High Jazz Bands, sponsored by Oaknoll Retirement Community

May 25: David Zollo The Body Electric

June 1: Iowa Arts Festival

June 8: Bambu

June 15: Funkdaddies

June 22: Orquesta Alto Maiz, sponsored by Hancher

June 29: Iowa City Jazz Festival

July 6: Feralings and Mayflies

July 13: Rod Pierson?s ?Not So? Big Band

July 20: Tallgrass and Tasty Trigger

July 27: The Fez, sponsored by Herteen Stocker Jewelers

Aug. 3: Slewgrass and Flannel

Aug. 10: Sand in the City

Aug. 17: OSG and Big Funk Guarantee, sponsored by Iowa Book

Aug. 24: Organic Underground and Uniphonics

Aug. 31: Ernie Peniston

Iowa Arts Festival

June 1

Main Stage Schedule

7 pm: Greg Brown, Family and Friends

June 2

Main Stage Schedule

12 pm: Bree Nettie

1:30 pm: Ben Schmidt

3 pm: The Recliners

5 pm: Joy Kills Sorrow

7 pm: Carrie Rodriguez

9 pm: Los Lobos

June 3

Main Stage Schedule

10 am: Area Dancers

11 am: Awful Purdies

1 pm: Iowa City Community Band

2:30 pm: Collectible Boys

Iowa City Jazz Festival

June 29

Main Stage Schedule

4:30 pm: United Jazz Ensemble

6 pm: Groove Theory

8 pm: Kevin Mahogany the Iowa Jazz Orchestra

June 30

Main Stage Schedule

2 pm: North Corridor Jazz All Stars

4 pm: Marco Benevento Trio

6 pm: Todd Sickafoose Tiny Resistors

8 pm: Robert Glasper Experiment, sponsored by Hancher

July 1

Main Stage Schedule

2 pm: Al Naylor Group, sponsored by Riverside Casino

4 pm: Ariel Pocock Trio

6 pm: Heath Brothers Quartet

8 pm: Mumbo Jumbo ? A Tribute to Paul Motian (featuring Matt Wilson, Chris Cheek, Mat Maneri, Steve Cardenas and Thomas Morgan)

Sand in the City

Aug. 10

4:30 to 6 pm: Surf Zombies

6:30 to 9:30 pm: TBD

Aug. 11

Noon to 9:30 pm: TBD

Aug. 12

Noon to 5:30 pm: TBD

Free Movie Series

June 9: ?Night at the Museum,? pre-movie activities at the Museum of Natural History

June 16: ?The Sting?

June 23: ?Men in Black,? pre-movie performance by the Iowa City Community Band

July 7: ?Big Fish?

July 14: ?Hugo,? pre-movie activities in conjunction with the Iowa Book Festival

July 21: ?The Bourne Identity?

July 28: ?The Goonies,? pre-movie performance by area cheerleaders and Iowa Cheerleaders

Aug. 4: ?Scott Pilgrim vs. The World?

Aug. 11: ?The Lion King,? pre-movie activities at the Museum of Natural History

Saturday Night Concert Series

May 19: Kevin BF Burt Big Medicine

May 26: Slip Silo

June 2: Iowa Arts Festival

June 9: Natty Nation

June 16: TBD

June 23: Roster McCabe, sponsored by Hancher

June 30: Iowa City Jazz Festival

July 7: Mad Monks

July 14: The Recliners

July 21: Henhouse Prowlers

July 28: Brother Trucker

Aug. 4: Zeta June

Aug. 11: Sand in the City

Aug. 18: TBD

Aug. 25: Beaker Brothers, sponsored by Herteen Stocket Jewelers

Sept. 1: Chicago Afrobeat Project

WALLOPS ISLAND — Folk arts and crafts are being kept alive on the Eastern Shore through a variety of courses in Wallops Island.

The Marine Science Consortiums coastal folk school teaches traditional skills not readily taught in other places on the Eastern Shore. MSC offers a wide range of topics. The practical, yet beautiful traditions of basket weaving, skin on frame kayak building and Native American tools and flint knapping are a few of the arts being revived through a series of courses provided by the Marine Science Consortium.

People are feeling the need to learn lost skills, said Parker McMullen Bushman, special program coordinator at the MSC. All of our classes are tied to the history, culture and nature of the Eastern Shore. For example, students in a basket making course use oyster shells and Spartina grasses gathered from our local marshes. This course teaches sustainable harvesting techniques, fosters an appreciation for a very important ecosystem and teaches a traditional skill.

The Marine Science Consortium also offers a wide variety of other course including digital wildlife and nature photography, nature journaling and birding. Most courses taught at the Marine Science Consortium are retreat-type experiences with lodging and meals included in the program price.

The all-inclusive nature of these programs attracts adult students with busy lives.

Register online or call 757-824-5636 on from Monday through Friday between 8 am and 4:30 pm to make reservations. The cost of the program is $20-$25 per day. Space is limited so register early. Visit www.msconsortium.org for more information on The Marine Science Consortium.

 

It was a coming-out bash for San Diegos young choreographic talent, and a chance for the different pockets of dance fans to come out and meet each other. Sundays Young Choreographers Showcase whirled a sold-out audience through 10 performances of new dance work; check out our photos and story about them.

Weve followed three choreographers as they came up with their ideas and combated injuries and drama in the weeks before Sundays show. One of the three we followed, Melissa Adao, was a runner-up in the competition Sunday and won a $1,000 prize.

 

 

The winners of the top prize, Gina Bolles Sorensen and Kyle Sorensen, said it was appropriate for the competition to be at a scientific institute. The crowd loved Kyle Sorensens sentiment: Hed heard recently about research suggesting that storytelling is a basic human need alongside food, shelter and love.

Reviewing the showcase for SanDiego.com, Kris Eitland raved about the Sorensens work, called left Field:

left Field is beautifully crafted dance theater. It was first on the program and I was hooked with the first phrase. … Rich text and repetition, seamless transitions and little details, were all part of the magical storytelling.

Also this week as we followed the runup to the showcase, we looked at the process of judging something as slippery as dance and stopped in to rehearsal to find choreographers grappling with injured and absent dancers.

Youre reading the Arts Report, our weekly compilation of the regions arts and culture news.

In Other News

o The city of San Diegos four candidates for mayor answered questions in a forum last night about arts and culture, the environment, homelessness and other issues that especially interest the regions nonprofits. To read more about the night, see recaps at KPBS, the U-T and a roundup of what people were saying on Twitter.

My colleague Scott Lewis was moderating and noted that each of the four pledged that the arts community could expect the same level of support from the city or more under their leadership.

I was surprised to hear Carl DeMaio say that he intends to double the funding for the citys grants to arts and culture groups. A little more than a year ago, hed said he wants to cut it by 25 percent. I caught up with him on his way out of Balboa Park to clarify.

o Speaking of city funding for arts, El Cajon wants to flatten its central theater and let a developer build a luxury hotel there instead. (U-T)

The newspapers editorial board thinks its a terrible idea:

So why would a hotel chain want to build on a cramped site in El Cajon that requires an expensive tear-down of the theater and sits atop an underground stream? One answer might be the financing concept proposed. El Cajon taxpayers – not a private company – would put up all the money and take on all the risk.

o Also the end of an era: The Neurosciences Institute auditorium, a favorite venue for arts events for more than 15 years, wont be available for free use to the regions arts and culture nonprofits after October.

Neurosciences will be turning over the buildings to its landlords, The Scripps Research Institute, this year. A spokeswoman for Scripps told CityBeat that her institute has to focus on science:

NSI chose to do that and they took the money from their science mission and gave it to the arts and that was fine, that was their decision, Rosenberg said. But biomedical research is our mission and we have to guard our resources.

o The letters page in the U-T has been going off over the Ports controversial decision to allow a possible bronze reinterpretation of the Unconditional Surrender kissing statue to stay on the waterfront.

Wrote Lloyd L. Rochambeau of San Marcos:

Good riddance to the snobs who would rather have a big pile of seagull droppings (modern art) instead of the kissing statute.

o Further south, a proposed sculpture at the US/Mexico border is called “La Mano de la Paz. (CityBeat)

Its an enormous hand making a peace sign:

The hand would need to be at least 15 feet high and made of galvanized steel wires, welded and wound together in a way that made each finger end in its own unique fingerprint.

Happening Here

o The Big Read: Shades of Poe is a month-long celebration inspiring San Diegans to read Edgar Allan Poe through visual art, performances, music, exhibits, and celebrity appearances. In the first of a series of posts that will run in our community forum on our site, project organizer and actor Walter Ritter says the goal is to inspire people to read literature for the sheer joy of it. Theres a full list of events happening all through April. Check it out.

o A composer and UCSD grad student, Aaron Helgeson, is this weeks featured composer on the Hibari Project. The project is raising money through music for aiding victims of the 2011 earthquake in Japan.

o The Museum of Contemporary Art San Diego started a Tumblr with lots of colorful images of pieces in its collection.

o Artist Margaret Nobles upcoming large installation at the Museum of Contemporary Art San Diego pulls from her childhood in City Heights, when she and her mom would cut out paper dolls. She said her biggest goal is to connect the piece to a people who dont usually go to museums. (U-T)

o Soprano Renee Fleming was here last weekend to perform a concert presented by the San Diego Opera. U-T critic James Chute thought Fleming, who remains in exceptional voice, shouldve stuck with her forte, singing opera, rather than adding musical and pop numbers and singing into a microphone.

o The world premiere of a new play based on TC Boyles Tortilla Curtain is on stage now at San Diego Repertory Theatre. Though the novel was written in the era of controversial Prop. 187 in the mid-1990s, Rep artistic director Sam Woodhouse said its still relevant:

Is immigration still one of the major issues in American political life? Such a hot issue that a lot of people dont even know what to do with it? Woodhouse said. (KPBS)

o The Museum of Man laid off seven workers and closed its store. The museums director, Micah Parzen, said the museums been struggling financially for a long time. Parzen, whos both an anthropologist and an attorney, said he was brought in to reinvent the museum. (U-T)

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Kelly Bennett is the arts editor for VOSD. You can reach her directly at kelly.bennett@voiceofsandiego.org or 619.325.0531. Or you can keep up with her on Twitter @kellyrbennett or on Facebook.

Jillian Keiley, an award-winning director from St. John’s, NL, has been named the new artistic director of the National Arts Centre’s English theatre department. The 41-year-old will replace Peter Hinton in August. When Keiley, the founder of Newfoundland’s Artistic Fraud theatre company, won the Siminovitch Prize for directing in 2004, the jury described her work as startlingly original and radically imaginative. She has taught and staged works across Canada and internationally. She spoke to the Post’s Melissa Leong Tuesday about her new gig, which runs for a four-year stint.

Q  Congratulations on your new job.
Keiley  Thank you.

Q  What goals have you set for yourself in going to Ottawa?
Keiley  A lot of brilliant stuff happens in Vancouver, Toronto and Montreal. But a lot of great stuff happens across the country, too. The National Arts Centre can give us the opportunity to bring people together and show a lot of productions in a larger venue. There’s a lot of really interesting artists in the country who are creating original works; but those works get created, they get seen and it’s the end of their development. I’m interested in participating in the development of Canadian canon. What the NAC might be able to do is work with some of these companies from across the country, see these premieres and give them another shot. And it would be a partnership from the beginning.

Two staff reporters for the News, Ava Kofman and Tapley Stephenson, traveled to Singapore over spring break, interviewing more than 80 sources on the founding of Yale-NUS College — how Singaporeans view the project, how the liberal arts function in Singapore and how the country’s values differ from those on Yale’s campus. This is part two of the three-part series. (Read part 1 and part 3.)

SINGAPORE — On other days, the giant halls in the National University of Singapore’s Sports Recreation Centre might feel empty. But the 18,000 Singaporean students who passed through campus on March 17 and 18 for the NUS Open House entered rooms packed with booths from all of the NUS’s 16 schools and countless other student programs.

This year, tucked in a corner next to a booth for the NUS Business School, there was a new option on display. Under a sign that read “1 + 1 = 3,” Yale-NUS admissions representatives fielded questions from curious students about how Yale-NUS, the country’s first liberal arts college, will recreate Yale’s academic model in a Singaporean setting.

Although the booth looked similar in appearance to its neighbors at the open house, Yale-NUS will differ drastically in its academic structure from its peer institutions in Singapore.

Yale and NUS administrators have said their first priority is crafting “a unique and powerful education,” but they face the challenge of attracting students to a new school with an unfamiliar educational model.

A NEW MODEL

In a nation where most undergraduate degrees are offered in vocational subjects such as dentistry, engineering, business and law, some still understand the concept of “arts” as exclusively fine arts, rather than broad-based learning.

“Liberal arts is a misnomer; Asians think it means music, dance and drama,” Yale-NUS governing board chair Kay Kuok told the Straits Times in an interview last November.

The Ministry of Education has previously brought elements of foreign educational models back to its own universities through 60 international partnerships with academic institutions and internal programs like the NUS University Scholars Program (USP). The USP allows for more academic breadth than most NUS programs, though students still take 70 percent of their classes within their majors.

The Singaporean government offers bonded scholarships to citizens who attend university abroad and commit to working in the Singaporean civil service after graduation. E-Lynn Yap ’14, who declined a government scholarship in favor of a full financial aid package at Yale, said the strongest high school students in Singapore travel abroad for their college education.

By supporting the creation of Yale-NUS, the Ministry of Education hopes that students seeking a broad course load will not have to leave the country, said Ng Cher Pong, deputy secretary for Singapore’s Ministry of Education and a member of the Yale-NUS Board of Governors. But Yap said she thinks many top applicants will still prefer institutions overseas to Yale-NUS.

“There’s such an ingrained tradition of the best students going overseas,” Yap said.

Ng said liberal arts programs like that at Yale-NUS may carry “upstream benefits” to support broader reforms to the education system in Singapore, but he added that he expects the infrastructure of Singapore’s educational system will take time to change.

BRAIN DRAIN?

Though the Singaporean government will pay for any of Yale’s Yale-NUS related expenses, some critics fear the partnership will have a negative impact on Yale’s campus in New Haven.

History of art professor Mimi Yiengpruksawan questions whether the college is drawing other resources — including administrators’ time and fundraising abilities — away from the University.

Yale-NUS Dean of Faculty Charles Bailyn ’81 described himself as “on loan” from the Yale astronomy department to Yale-NUS.

“It’s true there is an investment of time and effort — I think that would be hard to deny,” said Bailyn, who is also a professor in the Department of Astronomy. “I’m sitting here, and while the department gets financial compensation, those people won’t do exactly what I would’ve done if I was in New Haven.”

Some professors also worried that the new school may raw distinguished faculty away from Yale. But Yale administrators said they did not think this was a concern, estimating that six or fewer Yale professors would teach at Yale-NUS at any given time.

When regular faculty members from Yale-New Haven teach at Yale-NUS, they will be compensated by Yale as they would if they worked for the Yale-PKU or Yale-in-London programs, Provost Peter Salovey said. In addition, Yale-NUS, not Yale, will compensate the professor’s department, which will be able to spend the money at its discretion.

LOOPING BACK

Since University President Richard Levin and Salovey first announced plans for Yale-NUS in September 2010, Yale officials have pointed to the potential benefits of implementing successful Yale-NUS innovations in New Haven — an exchange that has been witnessed with other collaborations in Singapore.

At Duke-NUS Graduate Medical School, which opened in 2007, Dean Ranga Krishnan said the school’s test-taking practice — in which students receive course materials prior to taking a test, then study in pre-assigned teams and retake the same test — was so successful at helping students retain information that it was introduced in chemistry classes on Duke’s home campus in Durham, NC

“At Duke, similar to Yale, most of the ways you teach students date back to the 17th, 18th and 19th centuries, and that is you basically have somebody who knows a lot about a subject come in front of a class and pontificate,” Krishnan said. “When you have a fresh start and there’s no one to say, ‘You can’t do it, it won’t work,’… it gives you a huge advantage.”

As Yale-NUS develops its required “common curriculum” for all students to include instruction in the Eastern and Western literary traditions as well as integrated, multidisciplinary science, all Yale-NUS administrators interviewed said they are confident Yale will bring some elements of the programs back to New Haven.

Collaboration between the two schools may be accelerated by designs for Yale-NUS classrooms, which will be outfitted with equipment to teleconference with classes at Yale in New Haven, NUS President Tan Chorh Chuan said.

LIFE AFTER YALE-NUS

But before Yale-NUS can experiment with these ideas, administrators will have to generate enthusiasm for a liberal arts model that is novel in Singapore.

After speaking to hundreds of prospective Yale-NUS applicants, Yale-NUS Dean of Admissions Jeremiah Quinlan ’03 said he was frequently asked about the marketability of a Yale-NUS degree in the Singaporean workplace.

“Let’s face it: It’s very competitive in Singapore — it’s hard to get a job. People want to have a job when they get out of college, so a big part of looking at college is asking where you will go after,” said Wang Yufei, a prospective Yale-NUS student at Singapore’s elite Raffles Institution.

In January, the college announced that it will team up with the NUS law school to provide a five-year joint-degree program, in which students will earn a liberal arts degree as well as a law degree. Simon Chesterman, dean of the NUS Faculty of Law, said the program would add the chance for students to practice law directly after college, easing concerns about employability.

As Yale-NUS administrators have worked to address these concerns, the school has pledged to provide summer internships for all members of its inaugural class during their first summer at Yale-NUS, Quinlan said. A list of 32 “Founding Internship Partner” organizations — including Coca-Cola, Singapore Airlines and the United Nations — is featured prominently in the Yale-NUS viewbook.

Bailyn called liberal arts the “study of arts and sciences for their own sake, not for purely vocational services,” but added that the “broadly based approach [is] wanted by companies,” even if it might be “oxymoronic.”

Ng said the competitive labor market in Asia increasingly demands employees who can adapt, think critically and learn new skills when changing careers — strengths he said the liberal arts will help to foster.

“With other colleges you might be stuck [in one job],” said Darryo Chen, a prospective Yale-NUS student from Singapore’s Catholic Junior College. “I’m more concerned where you go after.”

QUIET CLASSROOMS

In seeking to encourage strong critical thinking skills and lively debate, Yale-NUS administrators said they will have to overcome many Singaporean students’ hesitancy to speak up in class. Many Yale-NUS administrators, NUS professors and Singaporean students said classrooms in Singapore are generally quiet, lacking the louder debates often found in American seminars.

“We’re going to spend a lot of time during this run-up year trying to figure out how we’re going to address just this kind of a problem, at both the intellectual classroom level and the kind of social residential level as well,” Bailyn said.

Nigel Koh, a sophomore at Harvard and Singaporean citizen, said teachers mostly lecture to students, who listen and take notes, in the “structured system” of Singaporean high schools.

“It’s not uncommon for students to have questions and to be extremely polite, perhaps even diffident about asking them,” said Lily Kong, acting vice president for academic affairs. “But it’s not that they don’t have questions, and it’s the mark of a good teacher to encourage them.”

Many NUS students and administrators explained that students in Singapore often feel dissuaded from speaking out in class at the risk of looking foolish in front of their peers. Instead, students may choose to remain quiet and “save face” — a tendency NUS administrators said is more common in Asian cultures.

To counteract this inclination among students, Bailyn said Yale-NUS administrators have arranged for the first class of students at Yale-NUS to travel to New Haven and take seminars with Yale and Yale-NUS professors during the summer of 2013. Students also will not receive letter grades that fall to encourage them to speak in class without fear of hurting their academic standing, he added. Yale-NUS administrators said they will prioritize hiring faculty who can generate thought-provoking discussion.

For now, prospective Yale-NUS students are being asked to put their faith into an institution whose future is not entirely clear.

“There’s quite different paradigms involved between US education and Singaporean education,” said Rebecca Zhang, another prospective student from Raffles. “Some of us are unsure how they are going to merge, so that would be the greatest hindrance [to attracting students].”

For the third and final installment of this series, a look at how Yale’s values will be tested in Singapore’s political system, see Thursday’s News.

More ambiguous is the fate of TVOntario, now 42 years old. The McGuinty government wants to reduce its annual direct investment in the educational broadcaster last year it gave $52-million against TVOs total budget of $62.9-million and find new sources of funding. However, Tuesdays budget was entirely lacking specifics in how big a reduction the government wishes to initiate and where it expects to locate new revenue.

A 10-day annual festival started in 2007, Luminato was promised $15-million over four years by the McGuinty government, starting in 2010. But Tuesdays budget reveals that Luminato will lose $1.5-million in 2012-13 and another $2-million in the next fiscal year.

Luminato CEO Janice Price said there will be no impact on this years festival, scheduled for this June, but shed be starting work now on inputting the reduced commitment in plans for its 2013 edition. She was philosophic about the loss and, given that the festivals annual budget is more than $13-million, said it wasnt a death knell. Who can be surprised? Given all the reports, everybodys had to take some cuts. The province . . . has been very clear that everyones going to have to share the burden and we understand that.

Meanwhile, seven cultural attractions the AGO, ROM, the Ontario Science Centre in Toronto, the McMichael Canadian Art Collection in Kleinburg, Burlingtons Royal Botanical Gardens, Ontario Heritage Trust (a conservation agency) and Science North in Sudbury along with the St. Lawrence Park Commission are on tap to take an almost $5-million cut over the next three years.

This should not prove too onerous: in 2012-13, the total reduction to be shared by the eight agencies is just $900,000. Since 2009, ROM and the AGO alone have been receiving almost $28-million and $22-million, respectively, in annual operating support from the province.

To avoid what it calls overlap and duplication, the minority government also plans to collapse four granting programs, including the Museums and Technology Fund, into one, saving $11-million in the process. Also included in the scheme is the end of the Entertainment and Creative Clusters Partnership Fund, started in 2006 under the aegis of the Ontario Media Development Corporation.

Also closing are seven of the provinces tourism information centres, locations still to be announced. These closures and the provinces intention to realign more of its tourism marketing and support to the Internet is expected to save $3.3-million by the end of fiscal year 2014-15.

Editors note: TVOntarios total budget for the past fiscal year was $62.9-million not $90-million as was previously reported. This version has been corrected.